![]() The exception being spirit #1, Allison Vandermeersh (Emma Stone), a braces-wearing, frizzy-haired teenager to whom Connor lost his virginity back in the ‘80s. Most are portrayed as slutty, hateful, ditzy or shallow and seeing that the film is an unabashed chick flick, they'd certainly be better served as heroes we can root for. We're also never really able to muster up much sympathy for any of the female characters in the film either. In other words, we've just watched Matthew McConaughey attempt to play a mean guy, but he's not convincing enough to make us believe in the transformation. Instead, McConaughey comes off as some kind of confusing mélange of his character's hatefulness and the actor's amiability. The problem is that we never believe anyone could be so boorishly hateful in the first place. In other words, here's the predictable part we've already seen in the trailers where McConaughey's character sees all the wrongs of his past and begins the transformation from miserable cad to loveable hero. We certainly don't see it to this point, but in any case, we learn that his attitudes about women and his playa' lifestyle are destined to change once he meets the ghost of his dead uncle Wayne (a refreshingly delightful Michael Douglas), who informs Connor that he will be visited by a succession of ghosts representing his romantic past, present, and future. The only person not completely offended is the other main character, bridesmaid Jenny Perotti (Jennifer Garner) his childhood sweetheart, who knows there's a kind, benevolent soul somewhere within Connor's calloused exterior. At the rehearsal dinner, he even gives a drunken anti-marriage speech in which he says that â"love is a magic comfort food for the weak and uneducated." The eternal bachelor who doesn't believe in love or anything it stands for, Connor immediately tries to persuade his brother to cancel the wedding. One of the main characters is Connor Mead (Matthew McConaughey), a brash New York fashion photographer and caddish ladies man who drives to New England to attend the wedding of his younger brother (Breckin Meyer). a death knell to a film that depends on the audience finding an attraction between the two main characters. The problem is that not a single character is likeable save for perhaps one and we never really care about what happens to any of them. To be fair, it's not that the film isn't funny or romantic. Charles Dickens is probably rolling over in his grave right now, his classic A Christmas Carol having just been raped and pillaged to not-so-romantic and not-so-comedic effect in The Ghost of Girlfriends Past.
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